Friday, May 27, 2016

Invisible disease: Widespread misinformation and lack of research affects the lives of millions of women suffering from endometriosis

I remember lying on the cold, hard tile of the Cascade High School girl’s locker room floor, feeling the crunch of dirt and grit beneath my shoulders.

“Breath into the pain, let your muscles relax,” my mother had told me the first time I experienced these debilitating “menstrual cramps.”

I laid on my back and watched the shuffle and squeak of tennis shoes exit the locker room for gym class. At eye level, the stampede of feet ran in a vibration around my body, in perfect time with the excruciating waves of pain radiating through my core, down my legs, and through my back.

I clutched my stomach, swallowed my moans and tried to remember to breathe deeply. I couldn’t move, and there was no way I was making it to gym class.

Friends would ask if I was okay or if they could help. The other girls glanced down and avoided me.

They'd ask, “Whats wrong with you?”

The reverberating, unavoidable question.



On other days I hid in one of the dark red bathroom stalls on the opposite side of the locker room, avoiding social scrutiny. I twisted handfuls of toilet paper as if transferring my pain through my palms, out of my body and into the torn-up wads. Only the chicken-scratch graffiti witnessed my silent tears.

Silence became the regular echo of my pain. The clench and unclench of clammy hands is still a familiar motion.

I did not understand what was happening to me, or why I was so different from the boisterous girls in the locker room. Why did I experience debilitating pain during those oh-so-special days of the month, when they could just pop a tampon and an Advil and be on with their day?

No one tried to explain it; no one could.

When the time came to try out for basketball, I knew I would end up in a puddle on that locker room floor, rocked by waves of endless pain.

I implored the coach; she sneered at me and my “bad cramps.”

She told me to take a few Advil and suck it up like the rest. To her, my pain was something to be minimized, the normal experience of a teenage girl. I was weak, unable to handle what the other girls could.

But I wasn’t like the other girls.

I’d already taken the maximum dose of over-the-counters and then some. In the mornings before school I choked down cups of bitter, watery-brown cramp-bark tea. Nothing helped.

I gave up on basketball. I walked away, one of the first times in my life I felt defeat; felt the gut-sickening sting of giving up.

I couldn't explain my symptoms except that I was weak, my pain essentially did not matter, and it was not real.

I had nothing to compare it to, no internal measurement protocol for “normal” versus “excruciating.”

I stopped speaking about what I was experiencing. Years went by, and I “dealt” every month. Some periods were worse; some I could classify as “normal.”

If a single doctor I spoke to considered what I told them before dismissing it as, “periods hurt,” maybe I would have been diagnosed with endometriosis at 14, instead of a full 12 years after symptoms started throwing me my monthly pity-party.

I might have received regular ultrasounds to monitor any possible growths or cysts occuring on my ovaries, or hormone therapy to help regulate my pain.

Instead, adults and doctors responded by sending dismissive messages qualifying my pain as normal. I responded with silence and a deepening distrust in my own mind and body.

At 15 years old, who was I to ignore them?

In truth, I was suffering from endometriosis, a misunderstood and misdiagnosed disease that affects one in 10 women in the United States.

A “benign” disease, (meaning it doesn’t kill you, just makes you miserable), it occurs when tissues similar to the endometrial lining of the uterus implant outside the womb. During menstruation the implants cannot drain and instead wreak havoc, forming scar tissue, lesions, and cysts. The tissues can grow like a web, fusing or changing the location of the organs in the pelvic region, including the reproductive organs, colon, bladder, appendix, and rectum.

The invisible disease escapes the notice of CT scans, MRI's, most ultrasounds and physical examinations. A surgical diagnosis is the only clear one.

An article published on endometriosis.org discussed the first research conducted over 10 countries about the effects of endometriosis on workplace productivity in women.

On average, women lose 10 hours per week of work-time. These women suffer not just from the disease but from a lack of viable healthcare options and irreparable damage to what should be the most productive years of their lives.

Faced with insurance nightmares and often out-of-pocket surgery costs, they experience not only productivity loss, but a looming potential to lose their livelihoods.

“Endometriosis affects women during the prime years of their lives, a time when they should be finishing education, starting and maintaining a career, building relationships and perhaps have a family,” said Dr. Stephen Kennedy, head of department and professor of reproductive medicine at the University of Oxford. “For these women to have their productivity affected, their quality of life compromised and their chances for starting a family reduced, is something society can no longer afford to ignore. It is time we see serious investment in preventing this debilitating condition in the next generation of women.”

Yet a dysphoria continues.

I received my first definitive laparoscopic diagnosis at 25. Until then, my mother remained silent about her own experience. She’d been misdiagnosed and undergone two surgeries in which the surgeon discovered and removed the endometriosis. She didn’t realize this had any relevancy towards my own experience of womanhood.

Her lack of disclosure or understanding that I was suffering from the same disease is not a failure on her part as a mother. Our symptoms were different.

Not a single doctor warned my mother that endometriosis had been linked to genetic disposition, or of its prevalence. Their lack of education became her lack of information, and therefore my lack of competent health care.

It wasn’t a failure of coaches or teachers to take notice, or a failure of my family doctor. It is a symptom of a prevalent societal sickness; a failure to address women-specific needs and disease.

Social epidemiologist at George Mason University Jhumka Gupta believes that dismissive societal attitudes such as victim-blaming and stigmatizing women’s public health issues like sexual assault and postpartum depression are influential in the lack of public education regarding endometriosis.

“Endometriosis is virtually absent from public health and social justice advocacy agendas,” said Gupta in a CNBC article. “The medical and public health communities and society at large are either uninformed or misinformed.”

There’s still a tampon tax in 41 states-- that’s a tax burden placed only on women for a simple health necessity.

This is a symptom of an overall dismissal of women and their value to society.

Otherwise, why would research about a disease that affects at least 176 million women worldwide be so vastly underfunded?

The National Institutes of Health 2016 budget allots only $11 million for endometriosis, a disease experienced by an estimated 13 million women in the United States. Diabetes affects just over double that number, at 29 million people, and receives 94 times the funding, over 1$ billion.

Our daughters, sisters, wives and mothers’ everyday lives are burdened with the wide array of symptoms from this under-researched disease.

Symptoms range from infertility to extreme gastrointestinal pain, back pain, abdominal cramping and bloating, chronic fatigue, inflammation and dyspareunia- unbearably painful sex. These are just a few of the most prevalent, disruptive symptoms to a woman’s productivity and her enjoyment of a full and beautiful life.

The cause of endometriosis is unknown, as is a cure.

Of course, not much has gone into finding out.

Many women go most of their lives without a diagnosis, and many are misdiagnosed before receiving that stamp; the giant, gynecological “Uh-oh” that is endometriosis.

It takes an average of seven to 10 years after symptoms begin before a correct diagnosis is reached. For many women an answer is its own relief. Years of silent pain are manifested; they have found a tentative ground from which to break their collective silences and begin to understand the mysteries of their bodies.

They were never hysterical, crazy, experiencing phantom pain, or weak. They were enduring. And they were strong.

But a diagnosis is also the start of a harrowing journey of cold metal stirrups, gooey ultrasounds, painful surgeries and monthly shots in the ass. (Lupron shots suppress the production of estrogen in the body, and is also used as a hormone therapy for transgender men.)

And they’re lucky if insurance agrees to cover it all.

Author and actress Lena Dunham went public in 2015 with her personal health journey and experience with endometriosis.

“I know I’m lucky in the grand health scheme, but I also know that I am one of many women who grasp for a sense of consistent well-being, fight against the betrayals of their bodies, and who are often met with skepticism by doctors trained to view painful periods as the lot of women who should learn to grin and bear it,” wrote Dunham.

The millions of women’s lives and health affected by endometriosis need to become a priority.

In a more educated society, I might have been diagnosed when I first experienced symptoms at 14, long before the morning I awoke at 25, attempting to get to work and instead retching in agony. Pain like hands with razor-blade fingernails twisted at my insides. I couldn’t stay on my feet.

I crawled through the house and halfway up the stairs towards my roommate's door before anyone heard me calling for help. They carried me to the car, where I moaned, petrified the whole way to the emergency room.

At the ER a kind doctor loaded me up with a dose of Dilaudid and I felt relief seep through my body, a relief from a pain so unceasing it lived as a constant in the back of my mind, shoved into the darkest corner of my closet, a wretched, shivering, gollum.

The doctor proceeded to do the whole stirrups-and-speculum-number, and decided to move me quickly along towards the more gooey, transvaginal ultrasound portion of my stay.

Endometriosis was his conclusion, but he couldn’t positively diagnose it without laparoscopic surgery.

A month later I went under the knife. I received a full laparotomy incision instead of the laparoscopic surgery they had prepped me for.
The author post-surgery on May 1, 2012.

Complications arose. The surgeon had removed an endometrioma, or “chocolate cyst,” the size of a tennis ball from my body. It had lowered my ovaries behind my uterus.

I am still on a journey for health. Using the Mirena IUD to suppress my cycles in an effort to slow the progress of the disease hasn’t worked. Two years after the surgery I experienced a surge in symptoms-- new symptoms.

I was told that if I had the surgery and used hormonal birth control to suppress my cycles, the endometriosis would most likely not recur.

Misinformation.

If they had let any disease go unnoticed during surgery or only removed superficial disease, it would resurface.

Unfortunately, current insurance codes only accept specific types of surgery, ones that often leave disease lingering, ineffective for complicated, widespread cases of endometriosis. This prevents women from seeking the care of specialists who perform the far more expensive but effective excision surgeries.

When I presented with intense gastrointestinal symptoms I approached multiple doctors about the possibility of endometriosis returned. I was met with shaken heads and told it was extremely unlikely if not impossible. It must simply be a case of Irritable Bowel Syndrome.

Misdiagnosis.

I elimination-dieted, developed weird food intolerances, was miserable, dieted more, gained weight, lost weight, became so bloated I looked eight months pregnant.

After a year without insurance, I qualified for state insurance and was lucky enough to be referred to Royce Ryker, a nurse practitioner at The Corvallis Clinic who looked me in the eyes, listened to my story and immediately ordered a colonoscopy.

Endometriosis usually cannot be found through a colonoscopy, but my case was different. The tissues have grown through, or significantly thickened the wall of my sigmoid colon. Heads up, because it’s time for another surgery.

And to all those doctors who didn’t listen: I was right all along.

It is possible to become numb to the pain of something you can’t see or express when you are constantly silenced. When you are told you must love your body, yet your body betrays you so inexplicably, the pain becomes a sign of mental weakness rather than a physical one.

The silence becomes its own weird, painful enigma.

The rampant misinformation surrounding endometriosis is a ripple effect set in motion by a prevalent disregard towards the women of the world.

Millions of affected women share a burden of pain that is not only theirs to bear, it is a detriment to society. Ignoring their healthcare needs is ignoring your own family’s; after all, one in ten women is surely your mother, your sister, your daughter, or your friend


For Further Information:


Sunday, May 22, 2016

My Hometown: Downtown Corvallis

The Corvallis Post Office on Saturday, May 22. Two local homeless friends rest by the building and "spange" for change.  On the  left, Donacio Corona Hernandez, or "Caveman" as he is known by friends, has been homeless for 36 years. On the right, Summer Jackson has lived in Corvallis for 25 years, but has been homeless for the last seven. 




Around the corner from Donacio and Summer, John Tucker  greets people with a smile and "good day,"  while sitting on the sidewalk outside the post office. Most people nod, smile, or ignore him. He doesn't ask for money, but holds a sign that tells passerbys what he needs them to know. John grew up near Corvallis in Lebanon, and has been homeless for two years. 




Just three blocks from the post office, a family catches a ride in a pedicab at the Saturday Farmer's Market to head home. They are just about to beat the downpour of  rain at 1:30 p.m. on May 21.  The pedicab rider, Cheyne Willems, is a former LBCC student who once took this very same photojournalism class.





Friday, May 20, 2016

Adventures at the Corvallis skate park: Photojournalism week 8

A  great day to get air at the Corvallis skate park on Tuesday, May 17. Andrew Rosenbalm started riding bmx freestyle at the park summer 2015.

JJ Combs, a Corvallis local and skateboarder, enjoyed the sunny day at the skate park on Tuesday, May 17.

Andrew Rosenbalm gears up for a trick at the Corvallis skate park on Tuesday, May 17.  Rosenbalm's favorite  trick is a  "tuck-no-hander." He's riding a Colony Emerge bmx. 
Other photos from Tuesday, May 17:


Silas Hart has been riding BMX for two and a half years. A Corvallis native, he attends Corvallis High. 

Silas Hart

Scrapes and bruises are common at the Corvallis skate park. Johnathon Brown has been skating for 16 years and is graduating from OSU in June.  

Art, fairytales, and forest creatures: artist and instructor Andy Myers brings a unique style to OSU and LBCC art programs

Surveying the room, instructor and artist Andy Myers is the director of a classroom symphony. Violins of dusty charcoal squeak along paper pages, followed by a chorus of creaking benches and the swelling silence of concentration.

The rhythmic scritch-scratching of charcoal and pencil commences, underscored with the soft sounds of hands pushing charcoal across the fibers of their pages.

In the center of the room, the nude model blinks, her still body reclined on a chair draped in fabric, atop a raised platform.

“Keep thinking about the big areas rather than the small ones right away,” says Myers, arms folded across his chest.

Students are seated on a clutter of paint-splattered gray drawing benches arranged in a circle. A jumble of drawing tools, charcoal and backpacks are scattered at their feet. Their instructor paces the circle, taking his time, pausing to look over shoulders and leaning in to offer advice.

“You can just change it. Think of it as being very flexible,” Myers says to a student.

In the Figure Drawing class at LBCC, students sit and draw the model for 20-minute increments, for a total of three hours at a time. From their bench perches, each student has a different perspective of the subject, and each possesses a unique way of drawing and learning.

The dedicated instructor is a successful artist in his own right, showcased in galleries and colleges in Washington and Oregon. Myers often collaborates with other artist and mediums, exploring creative thresholds locally and globally. He also dedicates class time with each student to encourage individual learning curves.

“The approach I take [to teaching] is individual,” said Myers. “I’m not saying, ‘Everybody you’ve got to make work like this,’ which a lot of people do. I’m thinking about individually where they’re going and trying to help them on that path.”

Jesse Rose, LBCC student, has taken two drawing classes with Myers.

“I really like his teaching style. It’s all studio time. The way Andy does it, you learn art through the process, applying it for a better understanding of the concepts,” said Rose.

According to Rose, the figure drawing class learns human anatomy, studying the skeletal and muscular structures of the body to help them translate what they see onto paper.

“It’s a lot more work for me, because it’s teaching 20 different things rather than one thing, but that’s the only way I can do it. It’s not a factory kind of teaching,” said Myers.

Though clearly dedicated to his student’s success, Myers’ own path to teaching wasn’t as clear.

“Teaching definitely wasn’t on my radar at all,” said Myers.

After finishing with a master's of fine arts from Portland State University, Myers first experienced the other side of the classroom working as a teaching assistant. This lead to teaching his own drawing class for the first time.

“It was successful enough it wasn’t a disaster,” said Myers.

It must’ve been a success, because 12 years later Myers is still at it, honing drawing skills at OSU and LBCC.

“I have a lot of students that aren’t art majors or even minors. This might be the only art class they ever take, but learning how to see, you’re going to get something out of it that’s lifelong,” said Myers.

He spends class-time teaching students to peer at the world through a new lens. They learn to disseminate objects into basic shapes, to notice the interaction of shadows and highlights, the surrounding negative space, and to explore how an object is put together, piece by piece.

“My interest in science and art are very similar, so I think about art making like a scientist does,” said Myers.

Like his teaching career, his career as an artist may have snuck up on him.

“Most kids draw or make something, but most people stop. I just never stopped.”

He never thought one day, “I am going to be an artist.” These things, it seems, just happen.

“I remember my mom saying something about one day I did call myself an artist and that stood out to her, and I didn’t really realize it.”

As an Oregon native, Myers grew up in farm country, in the northeast part of the state. He spent his summers working for farmers, even driving cattle. His stepfather was a wildlife biologist and during frequent outdoor excursions, Myers was instilled with an affinity for the natural world.

“It’s definitely not wildlife art, but there’s layers,” said Myers. “Like geologic cross-sections and things like that I think are really interesting, wild places and wild creatures. I think about endangered places and creatures and a lot of that I tie in with me as a human being and think about the relationships there.”

Marc Callahan, professor of opera and voice at OSU, recognized the remarkable quality of Myers’ art. Callahan found an inspiration and aesthetic for his first opera production at OSU, “The Blue Forest.”

“I love the way that he sees forests differently than we do,” said Callahan. “His art was perfect.”

The collaboration involved over 20 faculty and staff from three different departments, culminating in the production of Louis Aubert’s fairytale opera. The production brought Myers’ art to enactment on eight screens, projected around the circumference of the classroom in the round, in OSU’s new Learning Innovation Center.

“What I’m making isn’t the final thing, and when I make a show, it is. I’m the last person to touch it,” said Myers. “Whereas this, I’m sending work, and they're taking the working and doing things with it, and it’s going to go up huge and interact with people and sounds that I’m removed from, so that’s really exciting and scary.”

On opening night, Friday, May 13, his charcoal forest came to life, unfolding into a storybook filled with song and spectacle.

“He has this kind of playful creativity. I love how he twists reality. We see a lot of reality in his work, but we are seeing his view of reality. It’s like seeing it through his lens,” said Callahan.

Myers will continue creating and collaborating this summer in the Slovak Republic with artist Craig Goodworth. The two have been awarded grants from the Oregon Arts Commission to travel and install an exhibition in a Slovak museum.

“The first collaboration we did in Salem was called Ecotone Number 1, so this will be Ecotone Number 2,” said Myers. "An ecotone is where two environments come together, like a forest and a field.”

The artists will bring their different styles and an American perspective to Slovakian culture, exploring the borders of this particular, unique “ecotone” between the two artists and two cultures.

“It’s interesting how people’s mindset, they think of art as a little kid class, because, sadly, that’s where it is in the American school system,” said Myers.

Myers often teaches students who sign up for the class thinking it will be easy. Those students are always in for a surprise.

“It’s very hard work. It’s some hard physical work but it’s hard mental work, because frustration sets in immediately,” said Myers. “Making visual art, you’re putting yourself out there where everybody can see. It’s very immediate, as soon as you begin. You just have to persevere, you can’t be soft and give up at the slightest frustration.”

At a Glance:


  • Andy Myers has been an art instructor at Oregon State University for 11 years, and teaches classes at Linn-Benton Community College as well. 
  • He received an MFA from Portland State University, and his bachelors from Eastern Oregon University.
  • His work can be viewed at www.andrewrmyers.com
  • He works primarily with drawing media such as charcoal, graphite, oil stick, china marker, water color, ink and water soluble pencils.
  • His art has been featured in galleries in Portland, Salem, Seattle, Willamette University and LBCC. 
  • He prefers to do large drawings, often covering the space of a wall. He also reuses drawing and pins smaller drawings together to create large works. 
  • Myers also does printmaking.


Tuesday, May 17, 2016

The Bern Is The Word: Students for Bernie brings grassroots campaigning to campus.


You might have seen them in the courtyard or inside Takena Hall, their table strewn with buttons and voter registration forms, welcoming smiles and political wits at the ready.

They are here to spread the word, and this time it’s not tiny bibles with tips from Jesus.

This active group of political students advocate for presidential candidate, democratic socialist and Vermont senator Bernie Sanders.

“Our main goal here on campus, aside from advocating for Bernie and getting people excited is really to educate everybody about the candidates and the process overall,” said Alex Nobiletti, Students for Bernie club president.

The club formed at the end of fall term after difficulty garnering approval from LBCC's Council of Clubs. Dr. Robert Harrison, history instructor and the club’s advisor, believes they may have experienced a political power play at the hands of a minority of council members with conflicting political views.

“The club wouldn’t have been approved if we hadn’t checked into the bylaws and made the administration aware of it,” said Harrison.

The Council of Clubs’ bylaws gave the council the power to approve or reject a proposed club’s formation and subsequent funding, in direct violation of administrative school policy regarding clubs.

“We want political views of all stripes on the campus and we should welcome that, and if you don’t agree with the Bernie club, form your own club. Let’s have a debate,” said Harrison.

Now any club seeking recognition from the Council of Clubs only needs to meet the basic requirements. Approval is no longer at the discretion of the Council.

Through its formation, Students for Bernie has already initiated change in LBCC’s student politics. The club doesn’t intend to stop there.

“The ramifications of your vote really matter,” said Sophia Ruiz, Students for Bernie club member.

Along with the other club members, Ruiz spreads the flame, registering voters for the Oregon primaries in the LBCC courtyard Tuesdays, 10 a.m. to 2 p.m., and encouraging students to “Feel the Bern.”

With the help of volunteer advisor Bert Guptill, the club has registered many previous independent voters to the Democratic party, and even has a Republican under their belt.

 
Bert Guptill shows up to every club event to advise and help Nobiletti and the other club members.


A member of the Albany Bernie Campaign, Guptill arrived on campus the first day of fall term in hopes of sparking some fervor and a successful student-run campaign.

“I wouldn’t have been able to do nearly as much as I’ve been doing without his help,” said Nobiletti. “He’s always willing to take time out of his day to help us with our tablings or with events. He’s at every meeting.”

Both Bert and Bernie, it seems, have inspired the devotion of the students.

“I did my research, and I knew I wasn’t satisfied with Hillary,” said Guptill. “In fact, I wasn’t satisfied with any of them, and I’m a conservative. I’m a conservative business person. I’ve always voted the person, not the party.”

Guptill believes that, like himself, many independents registered as Democrats to vote in the primaries, and may go back to their original parties if Bernie doesn’t win.

“If Bernie doesn’t get elected we’re all gonna be serfs, working for ‘the man,’” said Guptill.

Newly involved in politics, club member Cynthia De La Torre counts herself lucky to have attended the most recent Sanders rally in Portland.

“I’d never been to a rally before and I always think its middle class, middle-aged people, not really young people. There was a bunch of young people there, all different ages and colors, and everyone was really excited,” said De La Torre.

And yes, she saw the bird that caused so much hype when it landed on Sanders' podium mid-speech, to the delight of the crowd.

“I trained that bird,” said Guptill. “And Hillary’s got her bird in a cage, and Trump is giving everyone the bird.”

While the political stage is still at play, the club’s future doesn’t depend only on Sanders’ success to continue to lay the political pavement at LBCC.

“I’d like to see the club become a grassroots launching pad for progressive politicians in the Linn County, Benton County, in the local area,” said Nobiletti.

Count on Students for Bernie participating in the upcoming “Liberty Tree Faire,” a political extravaganza thrown by LBCC’s Democracy Club on Oregon’s primary day, May 17.

Though the Bernie Sanders campaign hasn’t found recent sweeping success on the political playing field, the Students for Bernie Club hang on to their heart in the face of political adversity.

“Win or lose, we are working to ensure a strong finish for Bernie over here on the west coast!”


At a Glance:

  • Students for Bernie meets in North Santiam Hall 209, Mondays at 4 p.m. 
  • Students for Bernie advocates on LBCC campus for candidate Bernie Sanders, a Vermont senator running against Hillary Clinton in the democratic primary elections. 
  • Their advisor, Dr. Robert Harrison, can be reached through email at harrisr@linnbenton.edu.
  • Bernie Sanders won the Oregon state primary on May 17 by 55 percent to Hillary Clinton's 44 percent, according to oregonlive.com.

Friday, May 6, 2016

Photos Week 6: Saturday Farmer's Market in Corvallis



 Too Slim Tom
Music abounded at the Corvallis Saturday Farmer's Market. Too Slim Tom, of the duo Too Slim Tom and Miz Marsha, plucks a bluesy tune at the north end of the market on the last day of April, Saturday April 30. 


Saturday Farmer's Market

It was a busy Saturday Farmer's Market in Corvallis, Ore. on April 30. Families, musicians, children, farmers, vendors, and even dogs gathered in downtown Corvallis to celebrate spring and share and sell their abundance on a warm and sunny day.

Aronda Beagle makes a purchase at the Gathering Together Farms stand in Corvallis, Ore., at the Saturday Farmers Market on April 30. Beagle is a Corvallis native who believes people don't say "I love you," enough. She said to me after I photographed her, "I love you. We don't say I love you enough. People need to express love more often."





A few more photos from my Saturday Farmer's Market collection:
Members of Keltocalypse fill the Corvallis Saturday Farmer's Market atmosphere with rowdy, danceable, celtic -inspired tunes. April  30 was warm and sunny and the perfect day to gather downtown for music and celebration of spring. From left to right: Mark Philips on fiddle, Katie Maxey on fiddle, Mina Carson on guitar, and Beth Brown on cello.






Keltocalypse at the Corvallis Saturday Farmer's Market on April 30. Pictured from left to right: Michael Everett on mandolin and Beth Brown on cello. 

Beth Brown, member of Corvallis group Keltocalypse, plays her cello at the Saturday Farmers Market in downtown Corvallis on April 30.